Living With a Landscape: How to Choose a Print

Read time: about 4 minutes

A photograph on your phone is something you scroll past. A photograph on your wall is something you live with: every morning coffee, every evening, every time you walk through the door. Choosing one is less about picking a pretty picture and more about choosing how you want a room to feel.

Here's how I'd approach it.

Start with the feeling, not the furniture

Before measuring anything, ask what you want the room to do. A bedroom might want calm: soft dawn light, still water, open space. A living room might want energy: a storm breaking over mountains, a big sky full of color. An entryway can set the tone for the whole house.

The images I make are meant to restore a sense of awe and quiet. Pick the one that changes your breathing a little when you look at it. That reaction doesn't fade the way a trend does.

Start with the wall

Scale is where most people play it safe, and where most rooms lose out. A print that's too small floats on the wall and reads as an afterthought. A rule of thumb interior designers use: the artwork should span about two-thirds to three-quarters of the furniture beneath it.

The Signature Series comes in four sizes. As a starting point:

Print sizeWorks well aboveGood for
24 × 36 in A console, dresser or desk around 48–54 in wide Hallways, offices, smaller bedrooms
32 × 48 in A sofa or queen bed around 64–72 in wide The most versatile size for living rooms and bedrooms
40 × 60 in A larger sofa or king bed around 80–90 in wide Main living spaces, primary bedrooms
48 × 72 in A sectional, long sideboard or open wall Entryways, stairwells, high ceilings, statement walls

Once you’ve found the right size, placement is what makes a print feel like it belongs. Hang it so the center of the image sits about 57–60 inches from the floor, roughly eye level and the height most galleries use. Above a sofa, bed or console, leave 8–10 inches between the top of the furniture and the bottom of the print. That way the two read as one composition, not two separate things on the wall.

See it on your wall before you decide

Scale is hard to judge on a screen. One simple trick: tape out a rectangle of painter’s tape or paper on the wall at the size you’re considering, and live with it for a day. Walk past it in the morning and the evening. You’ll know quickly whether it feels too timid or just right.

Better still, let me show you. I offer a mock-up service for collectors who want to see a piece in their own home before they commit. Send a photo of your wall taken straight on (a phone photo is fine), the wall’s measurements, and the images you’re considering. I’ll place them in your room at true scale, so you can compare sizes, frames and even different images side by side. It’s especially helpful if you’re deciding between a few favorites or planning several pieces for one space.

Request a mock-up for your space →

Think about the light

Acrylic responds to light more than paper does. The Signature Series prints sit behind 1/8-inch acrylic glass, which gives them depth and a glow that changes through the day.

  • Window light: the print shifts from cool in the morning to warm in the evening. A sunrise image facing east-facing windows can feel especially alive.

  • Picture lights: angle them from above, at about 30 degrees, to bring out the luminosity without glare.

  • Direct, low sun: like any glossy surface, acrylic can reflect it. Check the wall at the brightest time of day before you commit.

Frame, or float?

Every Signature Series print comes with a contemporary float mount, ready to hang. It sits slightly off the wall and lets the image stand on its own, a clean look for modern spaces.

If you'd like a frame, the Masterworks prints are offered in handcrafted Roma Moulding frames from Italy, in four finishes: Elite Dark Ash, Zibrano Charcoal Lacquer, Zibrano Natural Lacquer and Cigar Leaf. Darker frames add weight and formality; natural wood warms a room and suits coastal and mountain images alike.

Why limited editions matter

The Signature Series is produced in limited editions of 200. Each print is signed and numbered on its face and comes with a certificate of authenticity. The materials are archival grade, rated to last more than 120 years.

That's the point: this isn't decor you replace when the season changes. It's a piece of a place, and a moment, that stays with you.

Explore the Masterworks Collection →


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Five Places to Sleep Close to the Light

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The Case for Doing Nothing at Sunrise